Il più aggiornato riferimento internazionale per gli studi su Caravaggio

Cristina Acidini (Polo Museale Fiorentino), Introduction
Marco Ciatti (Opificio delle Pietre Dure – Firenze), Caravaggio’s “The beheading of Saint John the Baptist” in Malta. Tecnique, style and restoration
Larry Keith (National Gallery of London), Caravaggio at the National Gallery
Claudio Falcucci (MIDA – Roma), Practices and processes, from the Odescalchi “Conversion of St. Paul” to the “Adoration of the Shepherds”.
Raffaella Fontana (INO – CNR, Firenze), A new IR Multispectral scanner for refletctography
Cecilia Frosinini, Roberto Bellucci (Opificio delle Pietre Dure – Firenze), New evaluations on Caravaggio’s methods of underdrowing: art historical and scientific challenges
Claudio Seccaroni (ENEA – La Casaccia, Roma), A new survey on Caravaggio’s canvases and preparatory layers: materials and aestethetical effects
Fabio Talarico (Istituto Superiore per la Conservazione ed il Restauro – Roma), Caravaggio’s painting tecnique through the study of stratigraphic sections: optical microscopy survey and SEM – EDS analysis
Claudio Seccaroni (ENEA – La Casaccia, Roma), Considerations on Caravaggio’s palette
Ashok Roy (National Gallery of London), The influence of Caravaggio’s techniques in the North
Carlo Lalli (Opificio delle Pietre Dure – Firenze), Comparison of Caravaggio and other contemporary artists’s technique
Brunetto Giovanni Brunetti (Università di Perugia), Short summing